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Exhibitions

 Gladys, Wik Elder
 Arthur, Wik Elder
 Untitled, 1997 Custodians, 2005 |
RICKY MAYNARD Australian Aboriginal Photographer 4 October 2008 - 8 February 2009
Whether it's portraits of Wik elders, images providing insight into the despair and recovery of Aborigines from rehabilitation centres or the mutton birding traditions of his own community, Ricky Maynard's unique documentary photography sheds light on his culture, bringing attention to Aboriginal social and political realities. His passion and meticulous attention to detail encapsulates an honest and deeply felt interpretation of his people and the land they inhabit.
Maynard, of Tasmanian Aboriginal descent, is a documentary photographer who lives on Flinders Island in Bass Strait between Tasmania and the southeast Australian mainland. This exhibition presents his latest developing body of work which he began in 2005, as well as a selection of earlier works from the 1980s and 1990s.
In 1990 Maynard was the recipient of an Aboriginal and Torres Strait Island Arts Board grant which assisted him to undertake a year's full time study as part of the degree program in Documentary Photography at the International Centre of Photography, New York. In 1994 his series No More Than What You See probed indigenous deaths in custody in South Australian prisons and he was awarded the 1994 Mother Jones International Prizes for Documentary Photography and the Human Rights Commission Photography Award. In 2003 he received the Kate Challis RAKA Ward for Indigenous Contemporary Creative Arts for his portrait Arthur. In 2004 he was awarded the Australian Council for the Arts Aboriginal and Torres Strait Islander arts board membership.
Double click on the below to take a tour with Ricky Maynard through his exhibition.
 As my body recovers from addictions so does my spirit
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 Untitled (still life with roses) 1994
 Untitled (rose and violet torso) c1982
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SUBJECTS TO HAND Joanna Margaret Paul Drawing 27 September - 23 November 2008 'Subject to Hand' is an exhibition of drawings by Joanna Margaret Paul, one of New Zealand's most prolific and intriguing artists who died in 2003. The exhibition, curated by Jill Trevelyan (curator of Rita Angus), pays tribute to Paul's ability to find beauty in the ordinary details of life. Her work was subtle, meditive, lyrical, often small in scale and highly personal.
-c1.jpg) Untitled (three vessels) c1980
 Pyrus malus-apple, Allium-onion, Solanum lycopersicum-tomato, Ficus-fig, 2000 |

As part of the below exhibition on Cuba, Cuban Music Duo, Madera Fina will play a traditional genre of music called Cuban Nueva Trova
2PM, SUNDAY 23 NOVEMBER ALL WELCOME, free admission.


Paikakariki Hill, 1877, Charles Decimus Barraud
Surveyors in bush near Porirua, detail, S.C. Brees  Pura blue |
NORTH ROAD 20 SEPTEMBER 2008 - 1 FEBRUARY 2009
North Road references a map of the old Porirua Road drawn in 1849 by Thomas Fitzgerald, which traces the route from Johnsonville to Paekakariki. It draws on the dairy entries of early travellers who ventured norht of Wellington, and features drawings, prints and paintings.
 Hurley's Mills , Porirrua, 1861, Janetta Maria Cookson
Double click on the below to take a quick trip down the length of the North Road
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EMERGING ARTISTS, LOCAL INTEREST GROUPS AND MORE, THIS IS OUR GALLERY FOR THE COMMUNITY:
'Masala' The Story of Spices & Indian Cuisine 23 October 16 November 2008 Diwali Exhibition

ARTWORK FOR SALE BY LEADING CONTEMPORARY ARTISTS FROM AROUND NEW ZEALAND
FLOWER GIRLS Beverly Rhodes 18 October - 23 November 2008
This body of work portrays young girls in long dresses similar to traditional flower girls and accompanied by a large cat. At first glance they appear to be portraits of children reminiscent of the 1700s. However rather than presenting a happy image of children accompanied by the family pet these images raise many questions, and with longer viewing may engender a sense of unease.
The intention is to present work that invites the viewer to explore the images and provide their own answers to the questions raised. This work references trauma, loss, childhood memories and psychological themes.
 Flower Girl III,VI,VIII & IX
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